"The Measure of Value", Catalogue essay by Marlena Doktorczyk-Donohue, October 2010

"When the Personal Meets the Political" Athens Plus, Oct. 9, 2009

"Prosopiko-Politiko", Eksostis, Oct 8, 2009

"Personal/Political" Live! Oct 4, 2009

Antigone Karali, "Prosopiko-Politiko" Ethnos, Aug. 10, 2009

Yiota Myrtsioti "Politikos Dialogos mesa apo 37 dimiourgies kallitechnon" Kathimerini, Aug. 19, 2009

E.S. "2nd Biennale" Makedonia, Aug. 6, 2009

"Personal Political (I, We)" (catalogue), State Museum of Contemporary Art, Thessaloniki, Greece, 2009

Simon Kenrick, "Flat is a Feminist Issue" Why Not (catalogue), Camac Art Gallery, Marnay-sur-Seine, France, April 2007

"Pourquoi pas? Annetta Kapon présente Cornucopia", l'est-éclair, 4/21/2007

E.M., Why not/pourquoi pas: Installations d' Annetta Kapon au Camac", l'est-éclair, 4/6/2007

'Delusionarium' catalogue, 2006

Jessica Wyland, “Get in Gear for ‘Drive Time” Exhibit” Daily Bulletin, Aug. 19, 2005

Mark Muckenfuss, “The Art of Traffic” Press Enterprise, Mon. Aug. 15, 2005

Thera Pitts, “Conceptual Artists Show Off their Motor Skills” Chaffey Breeze, Aug. 29, 2005

‘Delusionarium 2’ by Collette Chattopadhyay .Artweek, July-August 2005 pp. 18-19

Lilly Wei, “South by Southeast” (Report from Sydney Biennale) Art in America December 2004 p. 58-65

Ossian Ward, “Biennale of Sydney” Frieze 86, October 2004 (photo p. 168)

Alex Gawronski, “No Big Picture” Broadsheet  vol 33 #3, September 2004 (photo p.49)

Mairi Nicolson, “Sydney Biennale 2004- Annetta Kapon”  Radio National Sunday Morning program 6-13-2004

Fiona Prior, “The Biennale of Sydney.Fashion Victims/Barbie!” HenryThornton.com June 2004

Allan Sekula, "From the Stock Room to the Hospitality Suite: Notes on the Work of Annetta Kapon" Biennale of Sydney 2004 Catalogue

Carmine Iannaccone, "Annetta Kapon" Frieze #63, November-December 2001

Rebecca Schoenkopf, “Air Sick” Orange County Weekly, October 8-14, 1999

Women in Dada: Essays on Sex, Gender, and Identity Naomi Sawelson-Gorse (Editor) 1999

Annetta Kapon: Anti-keimena  (Catalogue) Institut Francais, Thessaloniki, Greece. Essay by Thalia Stefanidou, 1998

Charlene Roth, “Original Accounts,” Artweek, November 1998 (photo)

Leah Ollman, A Multi-Sided Look at Lone Woman, Los Angeles Times, Friday October 2, 1998

Peter Frank, “Without Alarm II” Art Picks of the Week, L.A. Weekly, March 6-12, 1998

Annetta Kapon (catalogue) Zefxis Gallery, 1997. Essay by Thalia Stefanidou

Greek Jewish Artists, (catalogue) Jewish Museum, Thessaloniki, Greece. Essay by Stefanos Rozanis            

Parallaxis (catalogue) Western States Art Federation, 1997

Collective Noise, Collective Noise, (catalogue) 1997

Charles Kim, “Montgomery Gallery Welcomes LA Artists,” Student Life, Sept. 27, 1996

Carmine Iannaccone, “Modern Times; The Clown and the Contemporary Sculptor” LA Weekly,October 4-10, 1996

William Wilson, “‘Means’ Finds New Meanings in Old Schools of Thought”, Los Angeles Times, Sept. 7, 1996

Bill Stamets, “Art: A Warm Gun, a Wet Paintbrush”, Chicago Sun Times, Sept. 29, 1995

Fred Camper, “Taking Aim at Weapons”, Chicago Reader, Sept. 15, 1995

Claudine Isé “A Some of Us” Artweek, August 1995

Johanna Drucker “Le Corps d’ à Coté”, Cahiers du Musée National d’ Art Moderne, Paris Printemps 1995

Peter Frank “A Some of Us: Art, Pick of the Week” L.A. Weekly, June 29, 1995

Alice Winn “Balancing Act” Pittsburgh City Paper, May 18, 1995

“Weighty Matter” (Photo) Pittsburgh Tribune, May 5, 1995

Deborah Wilk, “The Ecstasy of Limits” New Art Examiner, February 1995

Brad Killam, “The Ecstasy of Limits” Art Muscle, December-January 1995

The Matter of the Body, (Catalogue) Reicher Gallery, March 1995. Essay by Deborah Wilk

Charles Morgan, “Gorgeous Politics” Las Vegas Weekly, December 21, 1994

Society for Photographic Education, Monterey, CA Nov. 5,6, 1994

Peter Frank, “Gorgeous Politics” Art Picks of the Week, L.A. Weekly, Nov. 4 1994

David Greene, “Blurred Visions” Los Angeles Reader, October 28, 1994

Yvette Brackman, The Ecstasy of Limits (catalogue) Gallery 400, UIC, Chicago, 1994

Margaret Morgan, “From DaDa to MaMa: Feminism, the Ready-Made and Contemporary Practice” in BINOCULAR, Edition Contemporaine, Sydney, Australia, fall 1994           

Micki McGee, “Disorderly Conduct” Art and Text 47, 1994

Devorah Knaff, “Black and White and Read” The Press Enterprise, January 16, 1994

Peter Frank, “Lot Pour L’Art” LA Weekly, September 17, 1993

Mondo Lot: Sine Qua Non   (Catalogue) September 1993            

Amelia Jones, “Private and Public Pleasures” Art Issues, September 1993           

Susan Kandel, “Dada’s Spiritual Heirs” Los Angeles Times, June 17, 1993

Devorah Knaff “Home Bittersweet Home” The Press-Enterprise, June 6, 1993

Peter Plagens “Summing Up Doom and Gloom” Newsweek, January 25, 1993

Hope Urban “Should Personal Desires Be on Public Display?” LA Reader, April 2, 1993

Private and Public Pleasures (Catalogue). Essay by Susan Kandel. April 1993

Mark Olague  “‘Object’ Scrutinizes Familiar Household Items” El Paisano, March 12, 1993

Amei Wallach, “Reinventing Art for the ‘90s” New York Newsday, December 11, 1992

Elizabeth Hess, “Give me Fever” The Village Voice, December 11, 1992

Kathi Norklun, “Many Feminisms,” Woodstock Times, October 22, 1992

Martin Moynihan, “Of Women: Art Chosen to Unsettle in Hudson,” Albany Times, Oct.11, 1992

Valerie White, “Body and Soul of All Women’s Lives Confront Viewers at Unique Exhibit,” The Register Star, October 13, 1992

Anna Freeman, “Skowhegan Landfill Gets Art,” Morning Sentinel, August 25, 1992

MFA Thesis Exhibition, Wight Art Gallery, UCLA, 1992

Kenneth Baker, "Anything Goes - and it Works Well", San Francisco Chronicle, March 7, 1992

Peter Frank, "Art, Pick of the Week" LA. Weekly, Mar. 28, 1991

Mark Johnstone, "Images that Question Narrative" Artweek, Jan. 31, 1987

Amelia Jones, "Pictures with a Thousand Words" Artweek, Oct. 3, 1987

Kristine McKenna,  "Million Stories in Search of a Story Line" Los Angeles Times, Jan. 26, 1987

Josine Ianco-Starrels, “Eight Million Stories” Los Angeles Times, Jan. 4, 1987

Los Angeles Contemporary Exhibitions: Eight Million Stories in the Naked City, Jan. 1987

Marina LaPalma, "Probing Video Premises" Artweek, Nov. 15,1986

Maude Lynn, “Far Sighted” LA. Weekly, Oct. 1986

Suzanne Muchnic, "Future: More than a Wistful Look at a Bomb" LA. Times, July 23, 1985